The Natural World
Artist Statement
Though I did not set out to do so, the natural environment and our relationship to it has entered my work. It began with my use of burnt paper as a material starting in 1996, when I first had a wood stove. The paper remains after a fire surprised me with their beauty and range of color. Beyond the aesthetics, I came to appreciate the economy of resource. Burnt paper is a waste product I can adapt to a valuable personal purpose, turning it into pigment, texture and a means of representation. Living by the ocean as I do, I am constantly aware of the point where the sea meets the land, how it changes, how life emerged from one onto the other, and how fragile and crucial the balance between the two is, especially in our time of climate change.
A Precise Notion (individual view)
Six pieces: paper, acrylic, Xerox transfer on canvas, 5 x 7 inches, 2004
Ocean Eyes
Mixed media on canvas, 12 x 9 inches, 2009
Winter, 2009
Burned paper and acrylic on canvas, 48 x 60 inches, 2010
Three thousand one hundred and sixty-nine raindrops
Burnt paper, acrylic, paper, pencil on canvas, framed in coated lead, 48 x 36 inches, 2009
For Giordano Bruno (1548-1600)
Charcoal & graphite on paper, 22 x 28 inches, 2015
Roots
Mixed media on canvas, framed in lead, 12 x 9 inches, 2015
A Precise Notion
Six pieces: paper, acrylic, Xerox transfer on canvas, 5 x 7 inches, 2004