{"id":330,"date":"2015-12-21T11:37:00","date_gmt":"2015-12-21T11:37:00","guid":{"rendered":"http:\/\/test.lindsaywelch.com\/?page_id=330"},"modified":"2016-08-12T22:08:18","modified_gmt":"2016-08-12T22:08:18","slug":"safe-places","status":"publish","type":"page","link":"https:\/\/susanerony.com\/?page_id=330","title":{"rendered":"Safe Places"},"content":{"rendered":"<h5>Safe Places<\/h5>\n<p><style type='text\/css'>\n\t#ngg-gallery-09647b0f66213fdfabe638d8687c038a .ngg-pro-masonry-item {\n\t\tmargin-bottom: 10px;\n\t}\n<\/style>\n<div class=\"ngg-pro-masonry-wrapper\">\n\t<div class=\"ngg-pro-masonry-spinner\">\n\t\t<i class='fa fa-spin fa-spinner'><\/i>\n\t<\/div>\n\t<div class=\"ngg-pro-masonry\" id=\"ngg-gallery-09647b0f66213fdfabe638d8687c038a\">\n\t\t<div class='ngg-pro-masonry-gutter' style='width: 10px'><\/div>\n\t\t<div class='ngg-pro-masonry-sizer' style='width: 220px'><\/div>\n\t\t\t\t\t<div class='ngg-pro-masonry-item' style='height: 329px; max-width: 220px;'>\n\t\t\t\t<a href=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/Ten-Thousand-Things.jpg\"\n\t\t\t\t\ttitle=\"&lt;em&gt;The Ten Thousand Things&lt;\/em&gt;&lt;br\/&gt;2003&lt;br\/&gt; Burnt paper, rust, acrylic on canvas &lt;br\/&gt; 72 x 48 inches&lt;br\/&gt; Collection Jane Deering Gallery&lt;br\/&gt;&lt;br\/&gt; Twelve years of work on 20th century tragedy left me searching for a place of inner rest and retreat. &quot;Ten Thousand Things&quot; is a Daoist term for the manifest universe. The phrase became a tool for regaining perspective, of finding beauty again in the world.&lt;br\/&gt;&lt;br\/&gt; The technique of this piece soon took over for me. I had used it before, extensively, in work about human tragedy, but never as an exclusive means of \u201cpainting.\u201d With this piece, I used fragments of burnt paper to create the surface, building it up in layers. I came to think of process as a meditative activity, and the piece as like a Chinese scholar\u2019s rock, an object for contemplation.\"\n\t\t\t\t\tdata-src=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/Ten-Thousand-Things.jpg\"\n\t\t\t\t\tdata-thumbnail=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/cache\/Ten-Thousand-Things.jpg-nggid0252-ngg0dyn-440x0-00f0w010c010r110f110r010t010.jpg\"\n\t\t\t\t\tdata-image-id=\"52\"\n\t\t\t\t\tdata-title=\"The Ten Thousand Things\"\n\t\t\t\t\tdata-description=\"&lt;em&gt;The Ten Thousand Things&lt;\/em&gt;&lt;br\/&gt;2003&lt;br\/&gt; Burnt paper, rust, acrylic on canvas &lt;br\/&gt; 72 x 48 inches&lt;br\/&gt; Collection Jane Deering Gallery&lt;br\/&gt;&lt;br\/&gt; Twelve years of work on 20th century tragedy left me searching for a place of inner rest and retreat. &quot;Ten Thousand Things&quot; is a Daoist term for the manifest universe. The phrase became a tool for regaining perspective, of finding beauty again in the world.&lt;br\/&gt;&lt;br\/&gt; The technique of this piece soon took over for me. I had used it before, extensively, in work about human tragedy, but never as an exclusive means of \u201cpainting.\u201d With this piece, I used fragments of burnt paper to create the surface, building it up in layers. I came to think of process as a meditative activity, and the piece as like a Chinese scholar\u2019s rock, an object for contemplation.\"\n\t\t\t\t\tdata-ngg-captions-nostylecopy=\"1\"\n\t\t\t\t\tclass=\"ngg-fancybox\" rel=\"09647b0f66213fdfabe638d8687c038a\" data-ngg-protect=\"1\">\n\t\t\t\t\t\n\t\n\n<img title=\"The Ten Thousand Things\" alt=\"The Ten Thousand Things\" width=\"220\" height=\"329\" style=\"max-width:220px;max-height:329px\" src=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/cache\/Ten-Thousand-Things.jpg-nggid0252-ngg0dyn-220x0-00f0w010c010r110f110r010t010.jpg\" \/>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class='ngg-pro-masonry-item' style='height: 236px; max-width: 220px;'>\n\t\t\t\t<a href=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/One-Safe-Place-small.jpg\"\n\t\t\t\t\ttitle=\"&lt;em&gt;One Safe Place&lt;\/em&gt;&lt;br\/&gt;2004&lt;br\/&gt; Burnt paper, acrylic medium, rust, lead on canvas &lt;br\/&gt; 31 x 30 inches&lt;br\/&gt; Private Collection&lt;br\/&gt;\"\n\t\t\t\t\tdata-src=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/One-Safe-Place-small.jpg\"\n\t\t\t\t\tdata-thumbnail=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/cache\/One-Safe-Place-small.jpg-nggid0253-ngg0dyn-440x0-00f0w010c010r110f110r010t010.jpg\"\n\t\t\t\t\tdata-image-id=\"53\"\n\t\t\t\t\tdata-title=\"One Safe Place\"\n\t\t\t\t\tdata-description=\"&lt;em&gt;One Safe Place&lt;\/em&gt;&lt;br\/&gt;2004&lt;br\/&gt; Burnt paper, acrylic medium, rust, lead on canvas &lt;br\/&gt; 31 x 30 inches&lt;br\/&gt; Private Collection&lt;br\/&gt;\"\n\t\t\t\t\tdata-ngg-captions-nostylecopy=\"1\"\n\t\t\t\t\tclass=\"ngg-fancybox\" rel=\"09647b0f66213fdfabe638d8687c038a\" data-ngg-protect=\"1\">\n\t\t\t\t\t\n\t\n\n<img title=\"One Safe Place\" alt=\"One Safe Place\" width=\"220\" height=\"236\" style=\"max-width:220px;max-height:236px\" src=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/cache\/One-Safe-Place-small.jpg-nggid0253-ngg0dyn-220x0-00f0w010c010r110f110r010t010.jpg\" \/>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class='ngg-pro-masonry-item' style='height: 146px; max-width: 220px;'>\n\t\t\t\t<a href=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/4fdw3494.jpg\"\n\t\t\t\t\ttitle=\"&lt;em&gt;Thirty-six Safe Places&lt;\/em&gt;&lt;br\/&gt;2005-8&lt;br\/&gt; Burnt paper, rust, lead, and acrylic medium on canvas&lt;br\/&gt; 9 x 12 inches each, 64 x 82 inches overall with 2-inch gaps (layout could vary)&lt;br\/&gt;&lt;br\/&gt; This piece was inspired by Kafka\u2019s story \u201cThe Burrow,\u201d and in particular by the following excerpt:&lt;br\/&gt; &quot; ... the burrow does provide a considerable degree of security, but by no means enough, for is one ever free from anxieties inside it? These anxieties are different from ordinary ones, prouder, richer in content, often long repressed, but in their destructive effects they are perhaps much the same as the anxieties that existence in the outer world gives rise to. Had I constructed the burrow exclusively to assure my safety I would not have been disappointed, it is true; nevertheless the relation between the enormous labor involved and the actual security it would provide, at least in so far as I could feel it and profit by it, would not have been in my favor. It is extremely painful to have to admit such things to oneself, but one is forced to do it.&quot; &lt;br\/&gt;&lt;br\/&gt; These thirty-six pieces were each a conscious pursuit of personal calm in a world full of troubling turmoil. For me, the repetitive action and attention to minute detail involved in building the surface with fragments of burnt paper reveals the power of aesthetic experience to quiet the mind and soothe the soul.\"\n\t\t\t\t\tdata-src=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/4fdw3494.jpg\"\n\t\t\t\t\tdata-thumbnail=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/cache\/4fdw3494.jpg-nggid0247-ngg0dyn-440x0-00f0w010c010r110f110r010t010.jpg\"\n\t\t\t\t\tdata-image-id=\"47\"\n\t\t\t\t\tdata-title=\"Thirty-six Safe Places\"\n\t\t\t\t\tdata-description=\"&lt;em&gt;Thirty-six Safe Places&lt;\/em&gt;&lt;br\/&gt;2005-8&lt;br\/&gt; Burnt paper, rust, lead, and acrylic medium on canvas&lt;br\/&gt; 9 x 12 inches each, 64 x 82 inches overall with 2-inch gaps (layout could vary)&lt;br\/&gt;&lt;br\/&gt; This piece was inspired by Kafka\u2019s story \u201cThe Burrow,\u201d and in particular by the following excerpt:&lt;br\/&gt; &quot; ... the burrow does provide a considerable degree of security, but by no means enough, for is one ever free from anxieties inside it? These anxieties are different from ordinary ones, prouder, richer in content, often long repressed, but in their destructive effects they are perhaps much the same as the anxieties that existence in the outer world gives rise to. Had I constructed the burrow exclusively to assure my safety I would not have been disappointed, it is true; nevertheless the relation between the enormous labor involved and the actual security it would provide, at least in so far as I could feel it and profit by it, would not have been in my favor. It is extremely painful to have to admit such things to oneself, but one is forced to do it.&quot; &lt;br\/&gt;&lt;br\/&gt; These thirty-six pieces were each a conscious pursuit of personal calm in a world full of troubling turmoil. For me, the repetitive action and attention to minute detail involved in building the surface with fragments of burnt paper reveals the power of aesthetic experience to quiet the mind and soothe the soul.\"\n\t\t\t\t\tdata-ngg-captions-nostylecopy=\"1\"\n\t\t\t\t\tclass=\"ngg-fancybox\" rel=\"09647b0f66213fdfabe638d8687c038a\" data-ngg-protect=\"1\">\n\t\t\t\t\t\n\t\n\n<img title=\"Thirty-six Safe Places\" alt=\"Thirty-six Safe Places\" width=\"220\" height=\"146\" style=\"max-width:220px;max-height:146px\" src=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/cache\/4fdw3494.jpg-nggid0247-ngg0dyn-220x0-00f0w010c010r110f110r010t010.jpg\" \/>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class='ngg-pro-masonry-item' style='height: 222px; max-width: 220px;'>\n\t\t\t\t<a href=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/GHS-Slide-Talk-2007-102.jpg\"\n\t\t\t\t\ttitle=\"&lt;em&gt;A Moment of White Sky&lt;\/em&gt;&lt;br\/&gt;2005&lt;br\/&gt; Burnt paper, acrylic medium, pigment, framed in lead &lt;br\/&gt; 38 x 38 inches &lt;br\/&gt; Private Collection&lt;br\/&gt;&lt;br\/&gt; The color white, the other side of the black I have so often used, represents an absence of run away thoughts, of stress and of danger.\"\n\t\t\t\t\tdata-src=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/GHS-Slide-Talk-2007-102.jpg\"\n\t\t\t\t\tdata-thumbnail=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/cache\/GHS-Slide-Talk-2007-102.jpg-nggid0251-ngg0dyn-440x0-00f0w010c010r110f110r010t010.jpg\"\n\t\t\t\t\tdata-image-id=\"51\"\n\t\t\t\t\tdata-title=\"A Moment of White Sky\"\n\t\t\t\t\tdata-description=\"&lt;em&gt;A Moment of White Sky&lt;\/em&gt;&lt;br\/&gt;2005&lt;br\/&gt; Burnt paper, acrylic medium, pigment, framed in lead &lt;br\/&gt; 38 x 38 inches &lt;br\/&gt; Private Collection&lt;br\/&gt;&lt;br\/&gt; The color white, the other side of the black I have so often used, represents an absence of run away thoughts, of stress and of danger.\"\n\t\t\t\t\tdata-ngg-captions-nostylecopy=\"1\"\n\t\t\t\t\tclass=\"ngg-fancybox\" rel=\"09647b0f66213fdfabe638d8687c038a\" data-ngg-protect=\"1\">\n\t\t\t\t\t\n\t\n\n<img title=\"A Moment of White Sky\" alt=\"A Moment of White Sky\" width=\"220\" height=\"222\" style=\"max-width:220px;max-height:222px\" src=\"https:\/\/susanerony.com\/wp-content\/gallery\/safe-places\/cache\/GHS-Slide-Talk-2007-102.jpg-nggid0251-ngg0dyn-220x0-00f0w010c010r110f110r010t010.jpg\" \/>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div><\/div>\n<\/p>\n<p><strong>Artist Statement<\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\">I have always been aware of safety. When I was young, it was something I rebelled against, in reaction to the fear of the outside world of my family. My father\u2019s palpable and endless quest to feel safe took us to the post-Holocaust refuge of Brookline, Massachusetts, yet his anxiety did not seem to lessen with physical safety.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">After I turned fifty in 1999, safety increasingly became something I, too, longed for. When questions of safety were catapulted into our national consciousness after September 11, 2001, my struggle with the concept increased. What does it mean to be safe? Is external safety ever possible?\u00a0What is worth sacrificing for safety? Where does the search for safety lead us? Such questions have only deepened as we as a society continue to grapple with the balance between fear, security, privacy and individual freedom.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The activity that makes me feel most safe is the creation of art. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Safe Places #ngg-gallery-09647b0f66213fdfabe638d8687c038a .ngg-pro-masonry-item { margin-bottom: 10px; } Artist Statement I have always been aware of safety. When I was young, it was something I rebelled against, in reaction to the fear of the outside world of my family. My father\u2019s palpable and endless quest to feel safe took us to the post-Holocaust refuge of [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":784,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-330","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Safe Places &#8212; Susan Erony<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/susanerony.com\/?page_id=330\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Safe Places &#8212; Susan Erony\" \/>\n<meta property=\"og:description\" content=\"Safe Places #ngg-gallery-09647b0f66213fdfabe638d8687c038a .ngg-pro-masonry-item { margin-bottom: 10px; } Artist Statement I have always been aware of safety. 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